»Following the success of Carmina Burana, the wish was soon expressed by several theatres that I should add a second work to this solitary composition which. Catulli Carmina () is the second of a set of three ‘scenic cantatas.’ The first of the Trionfi was Carmina Burana (). The last was Trionfo di Afrodite ().
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In the texts distributed with programs and early recordings, such as the Turnabout Vox one, many lines in the translation are left blank. Varmina of the Gasteig.
In this listing, the poems are given the standard numbers. Retrieved 27 December The piece experiments with cqtulli phrases and syncopated rhythms even more so than Carmina Burana. The composer, aquatint etching. Compositions by Carl Orff.
Retrieved from ” https: Most of them have decided that, with the fall of Nazi Germany and the depressed feeling of Europe in the aftermath of World War II, it simply did not have the opportunity to be presented to any large audience for a long time. In the prelude, groups of young women and young men sing to each other of eternal “eis aiona” — “forever” — two words of Greek in the otherwise Latin text love and devotion, along with quite explicit statements of the erotic activities they intend with each other.
It is scored for a full mixed choir, soprano and tenor soloists, and an entirely percussive orchestra — possibly inspired by Stravinsky ‘s Les noces  — consisting of four pianostimpanibass drum3 tambourinestrianglecastanetsmaracassuspended and crash cymbalsantique cymbal without specified pitchtam-tamlithophonemetallophone2 glockenspielswood blockxylophoneand tenor xylophone.
The piece is divided into three parts: Catulli Carmina ” December Catulli Carmina Klavierauszug [piano vocal score] in Latin. This story is based loosely on the factual relationship between Catullus and Clodiawith a text mostly constructed from the poems of Catullus, in which he did address Clodia by the pseudonym Lesbia.
The work mostly sets poems of the Latin poet Catullus to music, with some text by the composer. The story proper tells of Catullus, a lovesick young man who falls in love with Lesbiaa woman who does not remain faithful to him. Carminx Read Edit View history. A group of old men interrupts with sarcastic comments and charges the young people to listen to “the songs of Catullus”.
Catulli Carmina: Praelusio — Commentary and Translation
Archived from the original on However, in the postlude, the young people have clearly decided to ignore the message and the cantata ends with their continued exclamations of “eis aiona”, to the exasperation of the old men. The tenor and soprano soloists portray Catullus and Lesbia respectively.
Cantata by Carl Orff. The orchestra only plays in acrmina prelude and postlude, whereas in the Catullus play itself, the soloists are only accompanied by the chorus, who takes the part of a Greek choros. Scenic cantata by Carl Orff.
Catullus wrote many poems about this relationship and the ones selected for the cantata take the audience through carmiba several phases. Oxford at the Clarendon Press: Orff Schulwerk s ” Gassenhauer “. He described it as ludi scaenici scenic plays.
Scholars have debated the reason carjina this is such a lesser-known work compared to its predecessor for many years. This page was last edited on 10 Septemberat Catulli Carmina is part of Trionfithe musical triptych that also includes the Carmina Burana and Trionfo di Afrodite.