„Der vollkommene Capellmeister“ von Johann Mattheson aus dem Jahre ist ein Spiegel des musikalischen Denkens des frühen Jahrhunderts, ein. Der Vollkommene Capellmeister (Documenta Musicologica) (German Edition) [ Johann Mattheson, Margarete Reimann] on *FREE* shipping on. Johann Mattheson (28 September – 17 April ) was a German composer, singer, disciplines of rhetoric and music, for example in Das neu- eröffnete Orchestre, Hamburg and Der vollkommene Capellmeister.

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Michaelis’ Church where his grave can be visited. He went on diplomatic missions abroad representing the ambassador. On the Art of Writing Melodies. In other projects Wikimedia Commons.

Mattheson, Johann / Der vollkommene Capellmeister / Bärenreiter Verlag

On Dissonances in General. Mary’s Cathedral from until increasing deafness led to his retirement from that post in After his death inJohann Mattheson was buried in the vault of Hamburg’s St. This page was last edited on 30 Novemberat On the Unison in Harmony and Its Progressions. Views Read Edit View history. Mattheson’s chief occupation from was as a professional diplomat. Unsourced material may be challenged and removed. PDF Hamburg ; Extracts. Mattheson is mainly famous as a music theorist.


Retrieved from ” https: Johann Mattheson’s Der vollkommene Capellmeister: He was the most abundant writer on performance practice, theatrical style, and harmony of the German Baroque. New Listing of Matthesons Works to Date.

Der vollkommene Capellmeister

Notes to Part II. Notes to Part I.

On the Seconds in Particular. University of Rochester Library Bulletin. On Thirds and Their Progression in Harmony. On Four and FivePan Pieces.

He had studied English in capellmejster and spoke it fluently.

Johann Mattheson

vollkpmmene However his books raise more and more attention and suspicion because Mattheson was a brilliant polemist and his theories on music are often full of pedantry and pseudo-erudition. On the Movement of Voices against One Another. Notes to the Foreword. This includes four operas and most of the oratorios. He made his solo debut with the Hamburg opera in in female roles and, after his voice changed, sang tenor deg the opera, conducted rehearsals and composed operas himself.


Read, highlight, and take notes, across web, tablet, and phone. On the Meters Appropriate for Melody. In he married an English woman.

Mattheson: Der vollkommene Capellmeister – Startseite

On the Art of Creating a Good Melody. He also wrote a few sonatas and some keyboard music, including pieces meant for keyboard instruction. On the Difference between Vocal and Instrumental Melodies. On Emphasis in Melody.

German classical composers German Baroque composers German music theorists German lexicographers German diplomats Musicians from Hamburg Deaf classical musicians German opera composers Male opera composers births deaths German male non-fiction writers 18th-century German writers 18th-century classical composers German male classical composers Writers from Hamburg Deaf people from Germany 18th-century German composers.

My library Help Advanced Book Search. On the Art of Gesticulation.