Det postdigitala manifestet. Rasmus Fleischer. Uploaded by. Rasmus Fleischer. Loading Preview. Sorry, preview is currently unavailable. You can download the . Wiki for Collaborative Studies of Arts, Media and Humanities. Det postdigitala manifestet. Hur musik äger rum. Arvidson, Mats. Published in: Svensk tidskrift för musikforskning. Published: Link to publication.
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It was important to ppstdigitala the positions clear to demonstrate that people need not be anxious or afraid. Rather, they represent an infrastructure that can be used to build selective, curatorial structures where users join up to make specific selections from this overabundance of options — instead of simply being met with a search field where you type in what you want and get it.
Kunstkritikk – Permanent Crisis
Today, the central issue is not one of accessing copyrighted material, but about our infrastructure for utilising all kinds of information. Swedish manifestdt, freelance journalist, debator, historian and musician.
Yes, but gradually The Pirate Bay also — quite unintentionally — took on a symbolic function. Home Groups Talk Zeitgeist. Works can belong to more than one series. At some point almost half of all Internet traffic in the world was mediated through The Pirate Bay. Mattias Indy added it Mar 07, The site only really began to grow after some of the large file sharing sites in the USA were forced to cease operation.
Up until that point the record companies had clung desperately to their traditional ways of postdigitaal money, but then they began to investigate new business models. Mikko marked it as to-read May 13, Return to Book Page.
How public can file sharing be before it becomes an object of legislation? This book is not yet featured on Listopia. Axel rated it really liked it Oct 08, What we are seeing now is that the legislation has been adjusted so that such links are also considered illegal. No such model exists. PB rated it liked it Oct 29, If the series has an order, add postdigitaal number or other descriptor in parenthesis after the series title eg.
Thanks for telling us about the problem. Books by Rasmus Fleischer. Rather than discussing how it may be modernised we have always been more interested in how it can be ignored. The first bit torrent trackers arrived inso The Pirate Bay was quite an early mover when it was launched in Many web activists have helped build hackspaces, i. We were not concerned with who picked up on the ideas; they were adopted by people aligned with both sides of the political spectrum in Sweden.
File:Fleischer Rasmus Det Postdigitala Manifestet Hur musik aeger – Monoskop
It is very difficult to draw such lines in data networks. So, the Dummies guides are a series of works. However, at the same time this was part of the objective of our political work: So we elected to maintain a certain distance to Piratpartiet. Also avoid publisher series, unless the publisher has a true monopoly over the “works” in question.
To create a series or add a work to it, go to a “work” page. This helped give The Pirate Bay a very strong symbolic position and also made it a central node in the online infrastructure in purely physical terms. Rather, we should take our starting point in specific art forms and forms of culture, ask what we really want to protect, and then try to find solutions that safeguard those values.
At first we operated on a very small scale, mainly in Sweden. Enter the name of the series to add the book to it. Copyright legislation is in a state of manifesttet crisis and this is evident in the ever-increasing proliferation of gray areas. The objective was never to be such a central locus; rather, we aimed to be copied.
Lists with This Book. It certainly says something about a shift towards the post-digital world when hackers begin to see a need for meeting physically, in real life. I think that the permanent crisis of copyright is inextricably linked to the permanent crisis of capitalism; a crisis we are facing right now. Trivia About Det postdigitala A kind of shift occurred in Sweden in A good rule of thumb is that series have a conventional name and are intentional creationson the part of the mqnifestet or publisher.
Filip rated it really liked it Feb 13, It has become almost impossible to trace collective interaction backwards in time, for these ddt have been systematically built in a manner that does not allow access to the back history. Also, The Pirate Bay was concerned with openness and transparency about what went on. At that point it became important for us to emphasise that the potential we see in these file sharing networks is not as a means for maximising consumption.