Zona: A Book About a Film About a Journey to a Room [Geoff Dyer] on Amazon. com. *FREE* shipping on qualifying offers. A Huffington Post Best Book of the. Zona: A Book About a Film About a Journey to a Room is a book by Geoff Dyer. Content[edit]. The book is a discussion by Dyer of the film Stalker directed. A Huffington Post Best Book of the Year There is no other writer at work today like the award-winning Geoff Dyer. Here he embarks on an investigation.

Author: Arashishakar Akijora
Country: Hungary
Language: English (Spanish)
Genre: Business
Published (Last): 9 January 2018
Pages: 64
PDF File Size: 11.66 Mb
ePub File Size: 5.96 Mb
ISBN: 227-3-62231-200-8
Downloads: 35906
Price: Free* [*Free Regsitration Required]
Uploader: Kazibar

Every second lasted a minute, every minute lasted an hour, an hour a year, and so on.

The book is a discussion by Dyer of the film Stalker directed by Andrei Tarkovsky in Literally speaking it is. The evening, evidently, is not going to improve. View all 11 comments. Turns on the tap, geodf the boiler, cleans his teeth. Geoff Dyer has an openness to experience that finds the truth in what I might discard as debris, until, of course, his discourse reveals that its detail is intrinsic to any understanding.

He goes on some more about how boring everything is, reckons that maybe even the Zone is boring, that it might have been more interesting to have lived in the Middle Ages. This long tracking sequence, following the trolley as it clanks and clangs along, is the most straightforward journey imaginable—horizontal, flat, right to left, in a straight line—and full of all the promised wonder of cinema.

And perhaps that’s Dyer’s point as well, that in the end it doesn’t amount to much. Nagging him and calling him a thief.

Zona: A Book About a Film About a Journey to a Room – Wikipedia

Dyet uses its plot elements as referents to his own life and even illustrates how they can pertain to the lives of us all. Pain- self inflicted pain- the fox 3. Get the Dyer book, put on shelf. He only egoff about the point of view of two people, Bresson and Bergman. Accessibility links Skip to article Skip to navigation.

You should read it. Boring people doing boring things boringly. His love of this film is the basis for analogies and metaphors and associations with art and life.


The result is a kind of submonochrome in which the spectrum aona been so compressed that it might turn out to be a source of energy, like oil and almost as dark, but with a gold sheen, too. Which film holds the record in that particular regard? I didn’t think I would want to keep them.

I found myself wondering if it was the same dog. There follows one of the great sequences in the history of cinema. The best way to read this book: There are a few appreciative passages, the relative depth of which are mostly borrowed from the film itself, but they are quickly and consistently defaced with Dyer’s smug, subjective digressions that are so embarrassingly puerile at times they nauseated me as much as the mean-spirited blog postings that inundate the Internet.

Dyyer might be wondering too if Dyer’s ever-evolving genius for comic writing now leaves him no time or desire to pursue the bruised lyricism that lit up earlier works such as The Colour of Memory and Paris Trance Refresh and try again.

If there’s a shorter word, use it”; “Vent geof spleen. The influence of this film on Dyer is evident as he pas Dyer claims that a work of art that changes your DNA can only be experienced at a young age, typically in your teens or twenties and can not happen later in life.

On the surface, “Zona” looked like another one of vyer works: The book drags when Dyer talks about himself.

Paris Review – Into the Zone

The gutters of white space between lines of type may dyerr out this slim book into something less substantial in the hand, but they constantly intrude into the comprehension processes. Books by Geoff Dyer. In Geofc, Geoff Dyer attempts to unlock the mysteries of a film that has haunted him ever since he first saw it thirty years ago: It is one of the few territories left—possibly the only one—where the rights to Top Gear have not been sold: He enjoyed the exercise of fixing her touches toolbox early on No wonder he wants out.


Lethem has a clear view of his past, but doesn’t wallow in it.

Zona by Geoff Dyer – review

Instead of the lonesome whistle, there is the busy moan of foghorns. Now he’s is about to rest. Now a writer and TV host, he compiled a list of the most important things he’d learned from a seminar Hoberman had taught as a side gig at New York University. This last is in a genre by itself, an extended c What we have here is a triptych: Dorothy longs to leave her small black-and-white town in Kansas; a tornado transports her to the magically colored kingdom of Oz, where she and her companions—Tin Man, Cowardly Lion, and Scarecrow—set off on a journey to find the wonderful wizard, who will allegedly grant all their wishes, et cetera.

After seeing the movie, wait at least two weeks, maybe even up to a month to read the Dyer book. The problem is that the film characters are embedded in a philosophical, cinematic world that perfectly balances their subjective pettiness. With Dyer’s collegiate and relaxed writing surely it would have been a simple matter to incorporate the comments contained in these footnotes into asides in the main text, separated only by paragraphs?

After reading the novel on which the film and then watching that streaming free on YouTube! I found that using my touchpad on my laptop and the screens of my phone, iPad, and iPod Touch to be an initially painful and, later, at best awkward experience, as bandaids impeded use, as did the wound’s scab as it formed.

Footnotes ideally are for attribution or expansion of individual discursive facts or points, and given the chatty tone of this book, amount here to an affectation.

The heavy train rumbles to the heavily guarded border crossing. Retrieved 16 August First there was Boris and Arkady Strugatsky’s Roadside Picnicperhaps the most memorable of their ozna fiction novels.