So Hans Robert Jauss is a little off the critical grid, but if you’re into reception theory—and who isn’t?—he’s your man. In fact, he invented the term “reception. Drawing on philosophical hermeneutics, Jauss argued that literary works are Unlike most varieties of reader‐response theory, then, reception theory is. In , Hans Robert Jauss’s Literary History as Provocation of Literary Theory marked the beginning of the aesthetic of reception as one of the most powerful.

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July Learn how and when to remove this template message. The theory recognizes recption there is no single reading of a landscape that fulfills its entire potential, and that it is important to examine the motives of visitors and the factors influencing their visits whether they read guidebooks about the place before visiting, or had strong feelings about the place or the designer, for instance.

Reception theory has also been applied to the history and analysis of landscapes, through the work of the landscape historian John Dixon Huntas Hunt recognized that the survival of gardens and landscapes is largely related to their public reception. Working Papers in Cultural Studies.

Reception Theory

More Like This Show all results sharing this subject: From Wikipedia, the free encyclopedia. Retrieved from ” https: It is likely that the less shared heritage a reader has with the artist, the less he or she will be able to recognise the artist’s intended meaning, and it follows that if two readers have vastly different cultural and personal experiences, their reading of a text will vary greatly. The cultural theorist Stuart Hall was one of the main proponents of reception theory, first developed in his essay ‘Encoding and Decoding in the Television Discourse’.


In literary studies, reception theory originated from the work of Hans-Robert Jauss in the late s, and the most influential work was produced during the s and early s in Germany and the US Fortierwith some notable work done in other Western European countries.

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Reception theory

This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations. According to Harold Marcuse[2] reception history is “the history of the meanings that have receprion imputed to historical events.

A branch of modern literary studies concerned with the ways in which literary works are received by readers. Publications Pages Publications Pages.

Reception theoretical analysis of architecture differs from typical writing on the history and analysis of landscapes, which tends to focus on the intentions of recsption designers, the conditions leading to the creation of the design, and the building process. Reference entries Reception theory in Encyclopedia of Rhetoric Length: This page was last edited on 14 Novemberat Views Read Edit View history. It traces the different ways in which participants, observers, historians and other retrospective interpreters have attempted to make sense of events both as they unfolded and over time since then, to make those events meaningful for the present in which they lived and live.

Sign in via your Institution. Search within my subject specializations: Susan Bennett is often credited with beginning this discourse.

Please help to improve this article by introducing more precise citations. In essence, the meaning of a text is not inherent within the text itself, but is created within the relationship between the text and the reader.

Reception theory also tends to de-emphasize commonly used terms of description like ‘formal’ and ‘picturesque’, unless those terms were known to have meaning to landscape visitors themselves. In literature, the interaction between text and reader occurs within a framework that controls and limits the interaction, through genre, tone, structure, and the social conditions of the reader and author, whereas in landscapes the interaction occurs through movement and viewing, framed by typology instead of genre and tone.


One key difference between reception theory in literature and reception theory in landscape architecture is that while literary works are accessible only to the imagination, physical landscapes are accessible to the senses as well as to the imagination.

Sign in with your library card. A form receptiln reception theory has also been applied to the study of historiography. Articles lacking in-text citations from July All articles lacking in-text citations.

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Reception theory – Oxford Reference

Reception theory has since been extended to the spectators of performative events, focusing predominantly on the theatre. Under the terms of the licence agreement, an individual user may print out a PDF of a single entry from a reference work in OR for personal use for details see Privacy Policy and Legal Notice.

Reception theory is a version of reader response literary theory that emphasizes each particular reader’s reception or interpretation in making meaning from a literary text.

Drawing on philosophical hermeneutics, Jauss argued that literary works are received against an existing horizon of expectations consisting of readers’ current knowledge and presuppositions about literature, and that the meanings of works thelry as such horizons shift.

Reception Aesthetics in Encyclopedia of Aesthetics Length: