Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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In some instances you might want the more dissonant sound of minor 9ths. Figuring out which triads lend particular colors to different chords adds detail to your playing. In most ofthe following examples and etudes accidentals only apply to the note they are attached to.

Casa Valdez Studios: Jerry Bergonzi’s approach to Hexatonics

Note that sometimes the hexatonic includes an avoid note. By using two triads, bi-tonal effects are created. F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Pianists often use Hexatonics by stacking triads to create unusual chord voicings.

When the box with the book finally came I thought that the distributor got my order wrong because it came in a big and very heavy box. Triad pair are basically the same thing as hexatonic scales. George Russell’s ‘Lydian Chromatic Concept’.


D IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting jrrry. The book starts out with a chapter dealing with a Major triad over a Major triad a whole step apart.

Eb Real Book 5th edition Vol. Of course, context is everything! Each of the triads expresses a tonality.

I still think the book is useful and pretty fun to practice with, though honestly I haven’t used it if a few months. Try applying any of the hexatonics to progressions 13 and On some of these chords we are allowing much leeway.

IT Ffq r ra The sixth hexatonic is two minor triads a whole step apart. G ‘ F-7 Bi: For example, over the C-7 chord, try any these hexatonics: As with the other books in this series, there is aplay along CD to tryout all of these different sounds. Published on Jan View 1. See also Chapter 9. Jerry Bergonzi vol 3 – Jazz Line Education.

U 1’1 ttl “-” “I had looked through some of his previous books but this one looked the interesting to me.


Jerry Bergonzi Vol 7 – Hexatonics.pdf

Jerry’s book is more practical than Gary’s book. D triad over e triad. Jerry Bergonzi Vol 3 Jazz Line Please note though, that any of the hexatonics can be applied to any of the tunes and progressions in the book. I do plan to work on more of them soon. You simply will not believe the number of transcriptions contained in these Japanese compilations.

You guys requested these, so here they are: I have already been able to start applying some of the principles I’ve learned in just the first four chapters.

Jeri Bergonzi edited and wrote the text. This effect is multiplied when the triad pair is used over a root tone that is not present in either triad. For example, when playing the over a A,7 chord, it sounds the major 7 as well as the ,7, which will work in certain circumstances. I Eb Real Book 5th edition Vol.