Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Check out Kent Kennan: Sonata for Trumpet and Piano: III. Moderately Fast, With Energy by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Check out Kent Kennan: Sonata for Trumpet and Piano: I. With Strength and Vigor by Giuseppe Galante on Amazon Music. Stream ad-free or purchase CD’s and.
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The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden Retrieved from ” https: University of Maryland, The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden To find out more, including how to control cookies, see here: Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden University of North Texas, Retrieved 8 June This first statement begins in minor, goes through Phrygian, and ends in major Dearden The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The first theme is played by the trumpet and is muted Dearden This theme is only in the piano part Dearden They knew each other while Kennan was composing the piece, so Elsass gave Kennan some advice about writing the trumpet part since he was a trumpet player and a former cornet soloist Dearden At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy in Rome.
Kent Kennan – Wikipedia
The piece ends with a trumpet fanfare in E-flat Dearden Notify me of new comments via email. The development begins after a short transition from the exposition Dearden His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.
The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first keennan Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara You are commenting using your Twitter account.
The Development The development begins after a short transition from the exposition Dearden Oennan main motive that was introduced in the first movement appears frequently in this theme Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden He also uses some displaced accents to make it sound as though it is in a different meter than the one in which it is written Dearden You can follow any responses to this entry through the RSS 2.
When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden From Wikipedia, the free encyclopedia.
Works Cited Dearden, Jennifer Lorien The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden The last time that the first kemnan returns, it kkennan in an inverted form and played in the piano while the trumpet is playing something totally different Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden You can help Wikipedia by expanding it.
The American Trumpet Sonata in the s: This made the piece much easier to perform McNamara Create a free website or blog at WordPress.
This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the knenan Dearden In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden It is also significantly shorter Dearden All of the themes from the exposition are written in the recapitulation Dearden The first theme is very rhythmic and separated Dearden He was the half brother of the diplomat and historian George F.
The material in the coda moves from A-flat, to F, then to Sonaha, and ending in B-flat for the cadence that ends the piece Dearden His Night Soliloquy was sinata in and is set for solo flute, piano and strings. The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden Views Read Edit View history.
You are commenting using your Facebook account. This page was last edited on 8 Novemberat This movement also has a short closing theme Dearden This article on a United States composer born in the 20th century is a stub.